The stories behind history’s most extraordinary photographs
Photographs have a strange and powerful way of shaping the way we see the world. The most successful images enter our
collective consciousness, defining eras, making history, or simply touching something so fundamentally human and universal that they have become resonant icons all over the globe. To explore this unique influence,
Photo Icons puts some of the most
important photographic landmarks under the microscope.From some of the earliest photography, such as Nicéphore Niépce’s 1827 eight-hour-exposure rooftop picture and Louis Daguerre’s famous 1838 street scene, through to Martin Parr, this is as much a history of the medium as a case-by-case analysis of its social, historical, and artistic impact. We take in
experimental Surrealist shots of the 1920s and the
gritty photorealism of the 1930s, including Dorothea Lange’s
Migrant Mother. We witness the
power-makers (Che Guevara) and the
heartbreakers (
Marilyn Monroe) as well as the
great gamut of human emotions and experiences to which photography bears such vivid witness: from the euphoric
Kiss in Front of City Hall (1950) by
Doisneau to the horror of Nick Ut’s
Napalm Against Civilians showing nine-year-old Phan Thi Kim Phúc running naked toward the camera from South Vietnamese napalm.
The author
Hans-Michael Koetzle, born 1953, is a Munich-based freelance author and journalist, focusing mainly on history and the aesthetics of photography. He has published numerous books on photography, including Die Zeitschrift twen (1995), Photo Icons (2001), Das Lexikon der Fotografen (2002), René Burri (2004), Photographers A-Z (2011) and Dr. Paul Wolff & Tritschler (2019).